Loving the Alienesque

For Email Members: www.spiritofgravity.com email: info@spiritofgravity.com

GRAVITATIONAL PULL

Dispatches from the Spirit of Gravity / Edition 100 / February 11

·         Happenings:

Next Spirit of Gravity gig:          Thursday 24th February 2011

Spirit of Gravity presents

LABORORTORO (XELIS AND ALISTAIR) / BARKING TOAD / KOMUSO

The Komedia Studio Bar, 44-47 Gardner Street, Brighton, BN1 1UN
Time 8:30 - 11:00 Cost £5 / £4

This month we’re pleased to welcome acts from far and near: Galicia, Folkestone and Burgess Hill. Even someone from Brighton.

Komuso
Derek Thompson (ex SPK, Jeffrey Lee Pierce Quartet and The Cure) aka Hoodlum Priest, usually with associates from Apollo440 and Ned’s Atomic Dustbin, uses Field recording of Fallow Deer and other sound sources to make uniquely disturbing soundscapes.

Barking Toad
Barking Toad are a three piece from Folkestone in Kent who make Noise Rock with Saxophone, bass and drums.
www.facebook.com/profile.php?id=100001472749518

Laboratoro
Laboratoro: Brighton based new music/sound poetry group. Laboratoro works in the intersection of language and sound creating textures through electronic, improvised music, poetry and vocals. Its core members musician Ed Briggs and Galician writer/performer Xelís de Toro create new pieces and set-ups for every new performance making each show unique. Their powerful performances bring together sound poetry, tribal sounds, performance, live projections and movement.
laboratoro.net/text enmedia/?page_id=59

Hosted by our very own 'Laptop' Lee Hume
Visuals by _minimalVector

There will be the elektrocreche available for any unaccompanied toys who will be looked after during the intervals by our professionally trained team of volunteers. And anybody else that wants to bring along a sound toy to play with.

For details of future Spirit of Gravity events, go to www.spiritofgravity.com/.

Video and audio on the Spirit of Gravity mp3 blog at spiritofgravity-brighton.blogspot.com/

Video and audio on the Spirit of Gravity MySpace page at www.myspace.com/thespiritofgravity

Facebook group with shows and information at www.facebook.com/home.php?ref=home#/group.php?gid=75568366205

Downloads of complete Spirit of Gravity sets at www.archive.org/details/the-spirit-of-gravity

_minimalVector films featuring Spirit of Gravity acts and guests at www.vimeo.com/thespiritofgravity

·                     Reminiscings:

Some time ago one of The Founders of The Spirit of Gravity had control of GravPull, as we like to call it, prised from his Cold Dead Fingers before he was swiftly interred in a shallow grave on the waste ground round the back of Boots under a bit of corrugated iron and an old mattress.

As it was a special occasion (this being the 100th edition of the aforesaid) we went to pay him a visit. The mattress had gone, but when we moved the corrugated Iron we were surprised to hear him speak. Brushing the dirt from his mouth we got our ears close and wrote this down before swiftly covering him in a fresh layer of gravel and getting the metal sheet back in place.

“Bloody hell. When the Spirit of Gravity was founded 10 years ago I had a pony tail, a goatee, a growing hatred of the New Labour Project and a penchant for organising obscure live art events for five people on a Tuesday evening. Now I have two daughters, a mortgage in Portslade, the threat of redundancy hanging over me and a nagging thought that I should stop blaming the pram in the hallway and do something creative. Then again, Benidorm is about to start...

These days my association with the Gravity is intermittent at best. Like Hugh Hefner, if I perform once a year I'm happy. Well I'm not, but every one else is. The plaudits for this important anniversary go to all the guys now, but I can sit in my urine soaked chair and tell the nurses how I once co-founded the original night for live electronica.

Seriously though, I am very proud to have played a part in setting up a collective that has gone through more venues than Spinal Tap had drummers, sometimes survived on audiences smaller than a Smurfs concert and had more technical failures than a pre Queer as Folk TARDIS. I could go on, but that is why I stopped doing our radio show.

The Gravity is a wonderful, chaotic, electric socket munching monster, with more crazy noises than Stephen Hawkins on Rohipnol, and quite often more people on stage than off. But that is why I love it. One day I hope to return more regularly to the Gravity, sometimes performing, but mainly standing at the back like some beer soaked father at a wedding reception, telling all and sundry that this, this beautiful child, is my greatest achievement. Of course, it isn't, but I'm quite chuffed all the same.

Yet perhaps the only reason I am writing this is because I did the copy and the Pull in the early days, and in my Gravity era bands I am the wordsmith. To me, the main man out of a few that are more main men than me, is fellow co founder and still active participant I'm Dr Bouyant, Tony Rimbaud. He truly has the Spirit of Gravity (Now, will you let me play with you again?)

Happy Birthday Soggy.

Nick Rilke”

·                     Reviewings

Spirit of Gravity at the Komedia Studio Bar, Brighton, Thursday 27th January 2011

It was a good way to start the year and The Spirit of Gravity’s second decade, and given the occasion, fitting that I’m Dr Buoyant should have started the evening with a collaboration with Broken Star on memory.

Weaving ensaddened snatches of Dvorak with analogue synthesisers, old drum machines, bass and guitar against a slideshow of manipulated found images, the combination swept us back through not just the decade but through time to a communal childhood. They also managed to squeeze in one of Andrew’s trademark chunky organ solos.

Clearing the stage The Organ Grinders Monkey was a two piece of person and laptop. Person played shimmering guitar in a fashion somewhat reminiscent of early Brian Eno, he also sang. The guitar was extremely shiny and seemed to have more than an expected amount of sliders on it, although I didn’t get to have the closer look I wanted. The laptop, as befitted its 21st Century status in the affair eschewed romanticised nostalgia and looked forward with beats at one moment straightforward and next twisting off unexpectedly. Along with the beats was a subverting backing track that included distracting backing vocals that seemed to mock the live voice. Against type they rounded the set off with a rousing, straight up, key-change-including Indie song that seemed to be throwing cheap shots at one of the audience. Very funny.

But not as funny as Glyphs. We usually treat our artists to some serious consideration, preferably while stroking our midweek chins, but once in a while something comes along that gets taken completely the wrong way. I’ve seen Glyphs play to stony faced appreciation, but I think it being the Komedia and quite late, and my exhortations to drink having fallen onto receptive ears, Glyphs decided to go with it and treat us to a master class in feral comic timing. It’s not often that verbal comedy that is beyond comprehension is so amazingly funny. Perhaps it is, on reflection - I don’t actually like much verbal comedy.

Perhaps we should get a video to Jimmy Carr. Although I was quite reassured to have seen someone storming out halfway through their set, I wouldn’t like to think we were going all populist (There is a video of the entire set available at The SogBlog (http://spiritofgravity-brighton.blogspot.com/).

Finishing things of in a suitable Janusine fashion, Cosmonaut Transfer played some old school Space Music, abstract toned music of the spheres with distant over-echoed guitars before a Kosmiche space pulse boosted us into planetary space, things dissolved again before a second stage of rhythm built up. Nick was wearing a silver suit and space helmet (which you can just see on the SogBlog) and they had a space video of library footage playing behind them and a small super 8 projector set up in front with a collage of clips from various b-movies playing onto a small screen. Also on the SogBlog is a link to a full length version of their set on soundcloud, which I’d recommend.

Yours as ever

El Maestro Con Queso

Editor.


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